A very cool slice of late 90’s Californian authentic ska magic from The Cover-Ups/All Girl Ska. The Cover-Ups were a fab all female combo who first burst onto the Los Angeles scene in 1998 & spent the next 5 years kicking up a storm on the US West Coast playing a super smooth & super […]
SPECIAL INSTORE GUESTS “ISRAELITE TRAIN” AN ALL STAR BAND OF MEMBERS OF THE ISRALEITES, THE UNTOUCHABLES, THE ELYSIANS AND LOS NAUTICALS. FREE ALL AGES EVENT 3-7PM
4 NEW RECORDINGS released on 2 45RPM 7″ records. New renditions of Classics Like So Fine and Mestizo, but also 2 never recorded versions of Time after Time and Mom & Dad. Backed by the talented Orquesta Rene, these records are as hot as the sun. Presale through https://www.steadybeatrecords.com/
MOBTOWN, A staple and anchor of the 1990s L.A Ska Scene have their debut CD available for streaming on all platforms.
The Allentons and Irie Beats Albums will be available for streaming later this week on all digital platforms, you can even purchase the tracks via I-tunes etc.. go take a listen!!!
Smoke and Mirrors Sound System, a collection of all star top shelf musicians. Nadie Te Lo Hizo and El Dia de Mi Suerte combine to make this 7″ inch vinyl a hot and soon to be sought after 45. Here’s a rundown of the musicians that make up this supergroup. personnel for Nadie te Lo […]
Sep. 5 is the opening day for Steady Beat Records, a used record shop opened by Steady Beat Recordings founder Luis P. Correa . The Store is located at 1617 S. Gaffey St. in San Pedro. All Genres for sale Rock, New Wave, Soul, Pop, Hip Hop, RnB, Funk Classical, Jazz, Latin, World, Soundtracks and […]
follow the link to support. https://www.indiegogo.com/projects/a-steady-beat-film/x/26623024#/ Luis P. Correa (King Steady Beat), owner of Steady Beat Recordings and Kathryn (Blue) Aguirre, former band member of the 90s Los Angeles ska band, Mobtown, and owner of 150 Productions had conversations about the L.A. ska scene in late 2019. They discussed the idea of creating a documentary film to finally capture a genuine account of this decade […]
